Zero Dark Thirty CIA propaganda

Hollywood Unplugged – Brad Pitt Says It’s Business as Usual for Wall Street’s Criminal Class

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Hollywood has returned to its cold war role, led by liberals. Ben Affleck’s Oscar-winning Argo is the first feature film so integrated into the propaganda system that its subliminal warning of Iran’s “threat” is offered as Obama is preparing, yet again, to attack Iran. That Affleck’s “true story” of good-guys-vbad- Muslims is as much a fabrication as Obama’s justification for his war plans is lost in PR-managed plaudits. As the independent critic Andrew O’Hehir points out, Argo is “a propaganda movie in the truest sense, one that claims to be innocent of all ideology”. That is, it debases the art of film-making to reflect an image of the power it serves.

– From the post: How Hollywood Became “Propagandist in Chief” by John Pilger

Hollywood’s refusal to cover issues of national importance, as opposed to largely producing inane nonsense or outright government propaganda, represents a gigantic stain on America’s creative arts scene. Indeed, after reading the story below, you have to wonder just how deeply the CIA has penetrated Tinseltown…

Remember Zero Dark Thirty? Turns Out it was a CIA Propaganda Film After All

Given this backdrop, Brad Pitt certainly deserves credit for making the following comments in a recent interview with the Hollywood Reporter discussing his role in the screen adaptation of Michael Lewis’ The Big Short:

How did you become involved as a producer?

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HBO and Snapchat are Actively Working with the U.S. Government to Create Propaganda

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In 1953, Joseph Alsop, then one of America’s leading syndicated columnists, went to the Philippines to cover an election. He did not go because he was asked to do so by his syndicate. He did not go because he was asked to do so by the newspapers that printed his column. He went at the request of the CIA.

Alsop is one of more than 400 American journalists who in the past twenty‑five years have secretly carried out assignments for the Central Intelligence Agency, according to documents on file at CIA headquarters.

The history of the CIA’s involvement with the American press continues to be shrouded by an official policy of obfuscation and deception.

– From Carl Bernstein’s 1977 article: The CIA and the Media

What is art, when the artist is working with the host government to promote a particular message?

It is propaganda, and just because it’s your government doing it with the help of your friends and neighbors, doesn’t make it any less so. Even if you agree with the message, it is still propaganda. No wonder so many movies suck.

Today, we learn that both HBO and Snapchat are actively working with the U.S. State Department to push an anti-ISIS message. Again, even if the message is a good one, make no mistake about it, it is still propaganda. This is a very slippery slope, and something that Americans shouldn’t tolerate.

The National Journal reports:

The State De­part­ment is seek­ing a counter-nar­rat­ive to the pro­pa­ganda be­ing spread by IS­IS, and it is re­portedly turn­ing to some of Amer­ica’s pree­m­in­ent storytellers for help. Ac­cord­ing to The Daily Beast, ex­ec­ut­ives from both HBO and Snapchat are part of a team of film­makers and so­cial me­dia spe­cial­ists that’s brain­storm­ing how to hamper the ef­fect­ive­ness of ISIL’s mes­saging.

Notice that when ISIS does it, it’s propaganda, but when the U.S. government does it, it’s a “counter-narrative.”

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